![]() Click the radio button next to Change Clip Speed, then press OK. Duh, just like every other overwrite edit. Now – and this is the secret part – to perform the edit, press the period key. NOTE: A fit-to-fill edit requires an In and Out marking the source clip AND an In and Out marking where it goes in the timeline. That’s where the fit-to-fill edit comes it: It changes the speed of the source clip (faster or slower) so that it fits into the timeline In and Out. Hmm… I don’t have enough source video to cover it. ![]() In this example, the timeline duration is 4:25. In the timeline, I also marked an In and Out where I want to insert the shot. I opened the clip I want to insert in the Source monitor and marked an In and Out. Two initial clips are added, but I left a gap where the second clip needs to go because it hadn’t been shot when I started. The process is simple: mark a clip in the Source monitor, mark a duration in the timeline where you want the clip to edit, then press the “secret key.”ĭrone images courtesy of Terry Holland, Northeast Drone Video ( I first added a music clip in the timeline. ![]() NOTE: Because a fit-to-fill edit changes the speed of a clip, it is not appropriate for any clip that has synced audio. The musical beat often determines when edits need to occur, while the shot going into that spot may take a different amount of time to complete. The most common use for this is when editing clips to music. ![]() It takes a marked clip in the Source montior, then changes its speed to fit a specified duration in the timeline. Having said that, their editing workflow takes some getting used to coming from Premier.A fit-to-fill edit combines an overwrite edit with a playback speed change. Vegas was actually built from an audio engine (Acid Pro), so it's not surprising it is a bit better at some audio tasks. There are some other video applications (Vegas immediately springs to mind) that can handle this sort of work a lot better than Adobe software. There should really be a way to stretch the two together in one go without having to round-trip it to Audition (one of Adobe's "Yeah, but we don't feel like doing that" 's). Honestly, this workflow is clunky in Audition + Premier Pro.
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